We found some famous listing of historic movies from the archive where we can get idea of those time inspirations when designer were work excellent as well as we have yet, in these “16 Historic Cinema Poster Will Inspire for Creative Work” we want to present something special to our movies lovers, may be we will prefer these movies after seen beautiful movie poster designs then latest or coming attractions.
A father of a young woman deals with the emotional pain of her getting married, and the financial and organizational pain of arranging her wedding.
A young sailor returns home to discover his girl has married an older, wealthy man.
A naive but stubborn cowboy falls in love with a saloon singer and tries to take her away against her will to get married and live on his ranch in Montana.
A playboy becomes interested in the daughter of his family’s chauffeur. But it’s his more serious brother who would be the better man for her.
When Grandduke Charles, the prince-regent of Carpatha, a fictitious Balkan country which could start a European war by switching alliances, visits London for the coronation of the new British king in 1911, and spends his one evening off at the Coconut Girl club, the reputed stickler for protocol is so charmed by a clumsy American understudy that he orders his British attaché to invite her to the embassy for a private supper. Being overlooked and understanding German, she learns of the repressive attitude of the regent and the plans of his reformist, pro-German minor son, king Nicholas, to take over power by surprise, but doesn’t dodge and tries to reconcile father and son. The queen-dowager decides to make her lady-in-waiting for the coronation day, so she stays in the picture to everyone else’s surprise.
Lady L. is an elegant, elderly lady who recalls the past loves and lusty adventures she has lived through.
Det. Sgt. Mark Dixon wants to be something his old man wasn’t: a guy on the right side of the law. But Dixon’s vicious nature will get the better of him.
A clergyman travels to Spain to join the Loyalist side during the Spanish Civil War and finds himself attracted to a beautiful entertainer.
When two musicians witness a mob hit, they flee the state in an all female band disguised as women, but further complications set in.
Romantic comedy about a woman who must steal a statue from a Paris museum to help conceal her father’s art forgeries, and the man who helps her.
In Paris, detective Claude Chavasse is hired to follow a wife suspected of infidelity with the notorious American libertine Frank Flannagan. When the husband learns that his suspicions are accurate, he tells Claude of his plan to kill Flannagan. Claude’s daughter Ariane overhears the threat and warns Frank of the coming trouble. She then plays the part of a worldly socialite with a list of conquests as long as Flannagan’s.
The bemused ladies’ man returns to America the next day and Ariane, completely in love, follows his romantic escapades in the news. She sees him again in Paris the following year, and resumes her worldly guise, telling tales of former lovers when they meet at his hotel in the afternoon. Frank, amazed by the mystery girl and surprised to find himself jealous of her past, hires Claude to uncover more information about her. When the detective realizes what has happened, he asks Frank not to break his daughter’s heart.
Julie… No Man Could Forget her, No Woman Forgive Her.
Nightclub singer and her brother-in-law try to find her husband’s killer.
Her mother was a film-cutter at RKO Studios who, widowed and mentally ill, abandoned her to sequence of foster homes. She was almost smothered to death at two, nearly raped at six. At nine the LA Orphans’ Home paid her a nickel a month for kitchen work while taking back a penny every Sunday for church. At sixteen she worked in an aircraft plant and married a man she called Daddy; he went into the military, she modeled, they divorced in 1946. She owned 200 books (including Tolstoy, Whitman, Milton), listened to Beethoven records, studied acting at the Actors’ lab in Hollywood, and took literature courses at UCLA downtown. 20th Century Fox gave her a contract but let it lapse a year later.
In 1948, Columbia gave her a six-month contract, turned her over to coach Natasha Lytess and featured her in the B movie Ladies of the Chorus (1948) in which she sang two numbers. Joseph L. Mankiewicz saw her in a small part in The Asphalt Jungle (1950) and put her in All About Eve (1950), resulting in 20th Century re-signing her to a seven-year contract. Niagara (1953) and Gentlemen Prefer Blondes (1953) launched her as a sex symbol superstar. When she went to a supper honoring her The Seven Year Itch (1955) she arrived in a red chiffon gown borrowed from the studio (she had never owned a gown). The same year she married and divorced baseball great ‘Joe Dimaggio’ (their wedding night was spent in Paso Robles, CA). After The Seven Year Itch (1955), she wanted serious acting to replace the sexpot image and went to New York’s Actors Studio. She worked with director Lee Strasberg and also underwent psychoanalysis to learn more about herself.
Critics praised her transformation in Bus Stop (1956) and the press was stunned by her marriage to playwright Arthur Miller. True to form, she had no veil to match her beige wedding dress so she dyed one in coffee; he wore one of the two suits he owned. They went to England that fall where she made The Prince and the Showgirl (1957) with Laurence Olivier, fighting with him and falling further prey to alcohol and pills. Two miscarriages and gynecological surgery followed. So did an affair with Yves Montand. Work on her last picture The Misfits (1961), written for her by departing husband Miller was interrupted by exhaustion. She was dropped from the unfinished Something’s Got to Give (1962) due to chronic lateness and drug dependency. Four months later she was found dead in her Brentwood home of a drug overdose, adjudged “probable suicide”.
Bardot At Her Frankest! At Her Frenchest! At Her Funniest! In Her First BIG Picture!
A young New York socialite becomes interested in a young man who has moved into her apartment building.